Invader French , b. 1969

Works
Overview
View works. Invader, 6 Cubes (Orange & Yellow), 2010
6 Cubes (Orange & Yellow), 2010
View works

Invader (b. 1969) is a French street artist best known for his pixelated tile mosaics inspired by the 1978 arcade game Space Invaders. Emerging in the late 1990s, Invader began "invading" cities around the world by installing these distinctive works in public spaces, often high on walls or in unexpected urban locations. His practice blends street art, pop culture, and digital aesthetics, reimagining 8-bit video game characters as contemporary icons.

Each "invasion" is part of a global project, with artworks documented, catalogued, and mapped by Invader himself. His pieces are installed illegally yet strategically, contributing to a dialogue around ownership, accessibility, and the role of art in the public sphere.

Operating under a masked identity, Invader maintains anonymity while achieving international acclaim. His works have been exhibited in major galleries and institutions, though the streets remain his primary canvas.

Invader (b. 1969) is a French street artist known for his mosaic tile works inspired by 8-bit video games, especially Space Invaders. Since the late 1990s, he has "invaded" cities worldwide with pixelated characters placed in public spaces, blending street art, pop culture, and digital nostalgia.

Working anonymously, Invader documents each installation as part of a global project, turning the streets into a playful and thought-provoking gallery.

Biography
View works. Invader, 6 Cubes (Orange & Yellow), 2010
6 Cubes (Orange & Yellow), 2010
View works

Invader is a French street artist turning cities into playgrounds with pixelated mosaics inspired by classic video games — blending digital nostalgia with urban rebellion.

Invader (b. 1969, France) is a pioneering street artist internationally recognized for his distinctive mosaic installations inspired by 8-bit video games, particularly the classic Space Invaders. Operating anonymously under the pseudonym "Invader," he began his artistic mission in the late 1990s, launching what he calls a global "invasion" — installing tile-based works on buildings and public structures in cities across the world.

Each mosaic is composed of small, square ceramic tiles that replicate the pixelated aesthetic of early digital graphics. These "invaders" are placed in unexpected urban settings, from street corners to high-rise facades, challenging viewers to discover art in their everyday environments. His work merges nostalgia, pop culture, and urban intervention, transforming public space into a dynamic canvas and reimagining the city as a game board.

Invader meticulously documents each installation, assigning it a number and GPS coordinates as part of an ongoing series — a project that now spans over 80 cities worldwide. He also releases maps, books, and even apps that allow fans and collectors to track his work, reinforcing the interactive nature of his practice.

Despite his growing acclaim and inclusion in major exhibitions and private collections, Invader continues to protect his identity, maintaining the spirit of subversion and autonomy central to street art. His practice not only blurs the lines between high and low culture, but also between the digital and physical worlds, positioning him as a key figure in contemporary urban art.